![]() ![]() Heinlein's 1940 science fiction short story The Roads Must Roll begins with an orator stirring up a rebellion among the workers of the story's "roadtowns" (wide rapidly moving passenger platforms). Only gradually does it become clear that the boy Aladdin, whom the Wizard meets in China, is the true protagonist, and the wizard turns out to actually be the story's villain. The well-known story of Aladdin in the Arabian Nights begins with a wizard undertaking a difficult quest all the way from Morocco to China to recover a powerful magical lamp.Though by the sixteenth chapter, the book starts to primarily focus on David. At this point, the readers are led to believe that Samuel is the central figure in the book. The Book of Samuel begins with Samuel's birth and God's call to him as a boy.Since most video games allow a player to control only the main characters (and their success or failure is based on playing skill, not pre-determined story), the sudden demise of the character that is being controlled serves to surprise the player. One key way in which video games employ the method that differs from uses in non- interactive fiction is by granting the player direct control over the false protagonist. In video games, a false protagonist may initially be a playable character, only to be killed or revealed to be the antagonist. When the series is viewed as a whole, this can lead to the appearance of a false protagonist. Also, because TV shows often have changes of cast between seasons, some series can have unintentional false protagonists: characters who begin the series as the main character but then are replaced early in the show's run by another character entirely. By ending one or more episodes with the false protagonist still in place, the show can reinforce the viewers' belief in the character's protagonist status. ![]() Many of the same techniques used in film can also apply to television, but the episodic nature adds an additional possibility. Alternatively, the false protagonist can serve as a narrator to the film, encouraging the audience to assume that the character survives to tell their tale later. Generally, the star of a film will get longer-lasting and more frequent close-ups than any other character, but this is rarely immediately apparent to viewers during the film. An abundance of close-ups can also be used as a subliminal method. ![]() ![]() Star power is a very effective method audience members generally assume that the biggest "name" in a film will have a significant part to play. In film, a character can be made to seem like the main protagonist based on a number of techniques (beyond just simply focusing the plot on their role). making them a lesser character, a character who leaves the story, or revealing them to actually be the antagonist). In fiction, a false protagonist is a literary technique, often used to make the plot more jarring or more memorable by fooling the audience's preconceptions, that constructs a character who the audience assumes is the protagonist but is later revealed not to be.Ī false protagonist is presented at the start of the fictional work as the main character, but then is eradicated, often by killing them (usually for shock value or as a plot twist) or changed in terms of their role in the story (i.e.
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